Movies: Werner Schroeter
- 1968
Aggression (1968)
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Aggression, Schroeter’s first 16mm film, is the fictive portrait of a woman who is oppressed by her (unseen) boyfriend....
- 1968
La morte d'Isotta (1968)
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La morte d’Isotta is a passionate melodrama inspired by Richard Wagner and Comte de Lautréamont, with Schroeter appearing in a principal role....
- 1968
Himmel hoch (1968)
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A love triangle, accompanied by traditional German Christmas songs....
- 2011
Vivre à Naples Et Mourir (2011)
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"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his work in general. Our meeting took place on the terrace of the Hotel Majestic, in the midst of excitem...
- 1968
Maria Callas Porträt (1968)
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Animated stills of Maria Callas and overlaid with a soundtrack of her singing....
- 1990
So lange ich fliehen noch kann, da schütze ich mich (1990)
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- 1968
Callas – Text mit Doppelbeleuchtung (1968)
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- 1987
Auf der Suche nach der Sonne (1987)
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Schroeter casts his tutored eye on Mnouchkine, the legendary founder of the avant-garde Théâtre du Soleil, with whom he shared an affinity for collage and pastiche, improvisation and distillation, ancient Greek drama, commedia dell’arte, opera, and A...
- 2012
Petite intrusion dans l’univers incandescent de Werner Schroeter (2012)
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- 1974
The Black Angel (1974)
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Two women, one from Boston and one from Germany, flee their empty lives to seek fulfillment in Mexico. The Black Angel is a transitional film; on one hand, it is a companion piece to Willow Springs, featuring two Schroeter regulars as characters far ...
- 2012
We Must Save Him! (interview with Werner Schroeter) (2012)
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- 2009
The Last Year (2009)
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Klaus Wyborny's Das letzte Jahr is a take on Ovid's "Fasti" in three parts. Yet, "a character as confused as our protagonist hardly would have been able to write the first three. For that it needs a clearer head, and thus one essentially would have t...
- 1969
Meetings With Werner Schroeter (1969)
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Meetings in Lisbon......
- 1968
Mona Lisa (1968)
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"My camera was silent, and so I started to compose wild sound collages for my films from my records with the help of tape, for example with my favorite Callas arias. I even got her to sing with herself that way. I also contrasted Schlager scraps of t...